From the opening of "Long Shot," with its rolling hip-hop-derived beat and its nonchalant profanity, it's clear that Aimee Mann is trying to appeal to a wider audience with...
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It's no shock that Bachelor No. 2, or the last remains of the dodo sounds identical to her songs for Paul Thomas Anderson's Magnolia, since it was written and recorded at...
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On her solo debut Whatever, the former vocalist for Til Tuesday cements her position as a center-stage artist and top-notch songwriter, and Aimee Mann's blend of wit,...
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It's a sure sign of the apocalypse when someone as pleasing, proper, and professional as Aimee Mann is forced to become an outlaw in her own chosen industry. Her struggles...
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It is, in a sense, a trick of the times that Lost in Space conveys such a vivid visual quality; thanks to the high profile given to her music on the Magnolia soundtrack,...
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The prospect of an Aimee Mann concept album concerning an addicted boxer returning from the Vietnam War isn't necessarily enticing, but after the meandering, adrift Lost in...
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