Britney Spears' Femme Fatale show includes 22 songs, and loyal fans captured footage of nearly every single one at her Sacramento tour opener last night -- no love for the "Boys" remix, folks! To let you see a real, live, singing (yes, sort of!), dancing (yes, mostly!) Britney Spears in action, we've compiled the best clips from the full set list here, with thanks to ONTD for doing some of the heavy lifting.

But first, six observations:

• This is not only not bad, it's kind of good! One of the big differences between the Circus and Femme Fatale tours is staging -- the former was too tethered to the Big Top conceit, the latter is free to explore different backdrops and video experiences, which all look snazzy and high-tech rather than chintzy and dashed-off.

• Britney's arms and hair are doing a lot of the choreography, but to be fair she's moving with authority and confidence again. This is a massive improvement over the "live" performances of Femme Fatale we'd seen up to this

Which rockers earned the most money between May 2010 and May 2011? Here's a better question: Exactly how would you figure that out? And why can't we calculate their haul for a regular calendar year, so when we say something like "U2 were the highest-earning band last year" we mean year like all of America means year? Everyone goes nuts for Forbes magazine's lists of celebrity heavyweights and top-earning women, but what are they really measuring?

Here's how Billboard describes Forbes' methodology for their latest list: "According to Forbes, the numbers encompass all pretax income earned from May 2010 to May 2011, before subtracting agent and manager fees. The totals were compiled with the help of data from Pollstar, RIAA and others, as well as interviews with industry insiders including lawyers, managers, concert promoters, agents and, in some cases, the musicians themselves."

Does that seems like an accurate measure to you? Can we see some tax returns, please? Can we ask any more

Never before has the sentence "You need to watch this detergent commercial with the lights on" ever been uttered, but that's all changed because Rob Zombie was hired to make an ad for Woolite. In a clip appropriately titled "Torturer," a giant out of The Hills Have Eyes stretches, shrinks, and fades innocent articles of clothing using medieval instruments. From its gritty cinematography to its visceral soundtrack, Zombie's ad is a half-minute horror film that's supposed to scare housewives into purchasing Woolite, and it works incredibly well (on us at least). We wouldn't want the Torturer coming to our place on laundry day and fading the hues from our T-shirts.

Last month, The Amp talked with Zombie about the commercial and whether he was able to put his dark cinematic stamp on a 30-second ad for Woolite. "I think the camera work and the detail and the design and stuff, I think people will definitely see it for sure," Zombie told us. "Or if you just saw the commercial, you'd think,

Kanye West may be on mute, but his old sparring partner Curtis "50 Cent" Jackson is still happy to go on Twitter rampages, and today he laid into his record company -- who he "tried to be cool with" -- for "moving in slow motion" and delaying his latest album. We suspected 50 Cent was too busy shoveling snow and starring in hilariously bad movies to finish the follow-up to 2009's commercially meh Before I Self Destruct this past winter, but he blames the suits.

"I'm sorry to announce I will not be releasing a new album this year if we don't get on the same page," he wrote, clearly attempting to bully the label into action. "I don't know why they play with me they know how I get." Interscope, why do you play with 50 Cent? You know how he gets! Maybe if 50 wore some Beats by Dre headphones like Jimmy Iovine rather than his own line of earwear he'd get faster service.

50 demanded his label "WAKE UP AND WORK" and added in what can only be construed as an idle threat, "Yo DRE has some