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    Chart Watch

    Week Ending Jan. 8, 2012. Albums: Adele & Carole King

    Adele's 21 logs its 15th week at #1 on The Billboard 200, which equals the mark set in 1971 by Carole King's Tapestry. Since 1956, when the album chart became a weekly feature, only one other album by a female artist has logged 15 or more weeks at #1: Whitney Houston's 1992 soundtrack to The Bodyguard (which had 20 weeks on top).

    Next month, Adele is expected to tie King again. Adele is almost certain to win Grammys for Album, Record and Song of the Year. That would make her only the second female solo artist to win in all three categories. King swept the boards in March 1972 with Tapestry (Album), "It's Too Late" (Record) and "You've Got A Friend" (Song).

    Grammy officials are fervently hoping that Adele doesn't equal King in another respect. King was a new mother in March 1972 and opted not to fly from California to New York for the Grammys. Adele is recovering from throat surgery, but is expected to be able to perform at the show.

    The Fine Print: Two original cast albums from Broadway shows that starred women also logged 15 or more weeks at #1. That's not quite the same thing as having an album of your own at #1, but I want to give these ladies their due here. Mary Martin headlined the cast album of The Sound Of Music, which was #1 for 16 weeks in 1960. Julie Andrews headlined the cast album of My Fair Lady, which was #1 for 15 weeks from 1956 to 1959.

    21 also returns to #1 in the U.K. This is its 19th week at #1 in that country. That's the longest run at #1 in the U.K. by any album since Simon & Garfunkel's Bridge Over Troubled Water logged 33 weeks on top in 1970-1971.

    21 is first album to spend 15 or more weeks at #1 in both the U.S. and the U.K. since the Bee Gees' Saturday Night Fever soundtrack, which topped the U.S. chart for 24 weeks and the U.K. chart for 18 weeks in 1978.

    Besides 21 and Fever, only four other albums in chart history have logged 15 or more weeks at #1 in both countries. The first to do so was the aforementioned Broadway cast album to My Fair Lady (15 weeks in the U.S., 19 weeks in the U.K.). It was followed by the 1958 soundtrack to South Pacific (31 weeks in the U.S., 115 weeks in the U.K.), Elvis Presley's 1961 Blue Hawaii soundtrack (20 weeks in the U.S., 18 weeks in the U.K.) and the Beatles' 1967 masterwork Sgt. Pepper's Lonely Hearts Club Band (15 weeks in the U.S., 27 weeks in the U.K.).

    SafetySuit becomes the first act to break into the top 10 in the 2012 chart year. The alternative band's These Times debuts at #7. The band's 2008 debut album, Life Left To Go, peaked at #173. SafetySuit is a four-man band from Tulsa.

    Jason Mraz's "I Won't Give Up" enters Hot Digital Songs at #1. It's the first song to open in the top spot since "She Will" by Lil Wayne featuring Drake in August. Mraz will enter the Hot 100 at #8. I'll have more details later today when we post Chart Watch: Songs.

    Here's the low-down on this week's top 10 albums.

    1. Adele, 21, 124,000. The album logs its 15th week at #1. This is its 46th week in the top 10. The sales tally includes 44K digital copies, which puts the album at #1 on Top Digital Albums for the 10th week. Four songs from the album are listed on Hot Digital Songs, topped by "Set Fire To The Rain," which jumps from #6 to #3.

    2. Drake, Take Care, 42,000. The former #1 album holds at #2 in its eighth week. It has been in the top 10 the entire time. Five songs from the album are listed on Hot Digital Songs, topped by "Headlines," which drops from #20 to #29.

    3. The Black Keys, El Camino, 42,000. The album jumps from #7 to #3 in its fifth week. It has been in the top 10 the entire time. "Lonely Boy" jumps from #133 to #88 on Hot Digital Songs.

    4. Young Jeezy, TM:103 Hustlerz Ambition, 36,000. The album dips from #3 to #4 in its third week. "I Do" (featuring Jay-Z and Andre 3000) drops from #165 to #171 on Hot Digital Songs.

    5. Coldplay, Mylo Xyloto, 28,000. The former #1 album jumps from #8 to #5 in its 11th week. This is its seventh week in the top 10. Two songs from the album are listed on Hot Digital Songs.  "Paradise" jumps from #37 to #32. "Princess Of China" (featuring Rihanna) re-enters at #158.

    6. Rihanna, Talk That Talk, 27,000. The album jumps from #9 to #6 in its seventh week. This is its fifth week in the top 10. Two songs from the album are listed on Hot Digital Songs. "We Found Love" (featuring Calvin Harris) drops from #2 to #4. "You Da One" jumps from #25 to #23.

    7. SafetySuit, These Times, 27,000. This new entry is an iTunes exclusive for one week.

    8. LMFAO, Sorry For Party Rocking, 25,000. The album drops from #5 to #8 in its 29th week. This is its second week in the top 10. Three songs from the album are listed on Hot Digital Songs, topped by "Sexy And I Know It," which dips from #1 to #2.

    9. Various Artists, Now 40, 24,000. The album inches up from #10 to #9 in its ninth week. This is its sixth week in the top 10.

    10. Florence + the Machine, Ceremonials, 24,000. The album drops from #6 to #10 in its 10th week. This is its third week in the top 10. "Shake It Out" jumps from #124 to #73 on Hot Digital Songs.

    Lady Antebellum's Own The Night drops from #4 to #12 in its 17th week. It's #1 on Top Country Albums for the eighth week.

    Adele's 2008 debut album, 19, drops from #11 to #13. This is the 13th time in the past year that Adele has had two albums in the top 20. 19 is #1 on Top Catalog Albums for the 30th week. Only one other debut album has spent this many weeks at #1 on the catalog chart. That's Creed's 1997 album My Own Prison, which topped the catalog chart for 54 weeks in 2000-2001. Will Adele match that long run? At this point I wouldn't bet against her, would you?

    Adele's DVD Live At The Royal Albert Hall sold 24K copies this past week. This brings its six-week total to 476K.

    Skrillex's digital-only EP Bangarang jumps from #19 to #15 in its second week. The dance act has a second album in the top 50. Scary Monsters And Nice Sprites jumps from #51 to #49 in its 31st week. The latter album is nominated for a Grammy as Best Dance/Electronica Album. Skrillex is a finalist for Best New Artist.

    The Twilight Saga: Breaking Dawn—Part One jumps from #37 to #34 in its ninth week. It's the week's #1 soundtrack for the third week. It has been the #1 soundtrack to a theatrically-released movie for all nine weeks.

    The Various Artists album Music By Burt Bacharach debuts at #59. Bacharach has been a Billboard chart mainstay for 54 years. He and lyricist Hal David landed their first top 10 hit, Perry Como's "Magic Moments," in January 1958.

    Journey's Greatest Hits jumps from #107 to #73. The 1988 album has sold 8,001,000 copies since Nielsen SoundScan began tracking sales for Billboard in 1991.  It's the fourth best-selling greatest hits album since 1991, following the Beatles' 1 (11,992,000), Bob Marley & the Wailers' Legend (10,658,000) and Bob Seger & the Silver Bullet Band's Greatest Hits (9,127,000). The Marley and Journey albums have sold even more copies than these numbers indicate because they were released prior to 1991.

    The Devil Inside was #1 at the box-office over the weekend. There is no soundtrack album. (INXS had a #2 hit titled "Devil Inside" in 1988.)

    Shameless Plug: This past Sunday would have been Elvis Presley's 77th birthday. The Recording Academy didn't give Elvis many "birthday presents" (he won just three Grammys, all for gospel recordings), but in 1971 they enabled him to set a Grammy record that will probably stand forever. They awarded him a Lifetime Achievement Award when he was just 36 years old. Presley was (and remains) the youngest living artist to receive a Lifetime Achievement Award. (It's a good thing that the academy gave Presley this honor at such a young age. He died a little more than six years later, in August 1977.) Last week, I posted a blog in which I looked at the youngest living artists to receive Grammy Lifetime Achievement Awards. If you missed it, here's a link.

    Coming Attractions: David Crowder Band's Give Us Rest is expected to debut right around #2 next week. Snow Patrol's Fallen Empires will probably start lower in the top 10. Also due: Yo Gotti's Live From The Kitchen.

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    9 comments

    • B  •  Walden, New York  •  4 months ago
      Can any of these "hip hop" artists(???) do something without FEATURING someone else????
    • anthony  •  Las Vegas, Nevada  •  4 months ago
      "The Bodyguard" should not be considered a Whitney Houston album...it is a Soundtrack..featuring multiple artisits/performers...Adele and King's albums are 'stand alone' releases..and were marketed in that manner. As for Katy Perry notching a 6th chart topper, she needs to sell north of 200 thousand downloads in a tracking week..Maybe a high profile TV appearance (Grammy's, American Idol, etc.) is the trick. Paula Abdul's four No.1's from "Forever Your Girl" were remixed for radio/single releases..with exception of "Straight Up".
    • Christian  •  Miami, Florida  •  4 months ago
      Whitney Houston had 6 songs out of the 13 on The Bodyguard Soundtrack. There was an instrumental as well as songs by Kenny G, Lisa Stansfield, Aaron Neville and others. I don't know how you can say that album was Whitney Houston's. It was a soundtrack album with multiple artists. I bought it because of Lisa Stansfield's song. You are comparing Apples to Oranges.
      • Tarue 4 months ago
        Most people bought The Bodyguard because of the three biggest hits, all of which were Whitney's alone, and she had 2 more singles chart from the album, giving her five times as many hits as any other artist on the album.

        You'd have a better case arguing against Waiting To Exhale as a Whitney album, since it had big hits by Mary J. Blige and Brandy, in addition to Whitney's singles.

        Like Waiting..., The Bodyguard also was a hit movie starring Whitney, and with the ubiquitous "I Will Always Love You" among her half-dozen tracks, it's hard to say the soundtrack isn't primarily a Whitney album. It's comparing Fuji Apples to Golden Delicious, maybe...
      • My2Cents 4 months ago
        Whitney's contributions to the soundtrack were covers of other people's songs too. Both Adele and Carole King wrote their own songs. There really is NO comparison.
      • Theodore 4 months ago
        "I Will Always Love You" rewrote the record for longest stay at no. 1.
    • Rob  •  Oakland, California  •  4 months ago
      Hi Paul, Happy New Year. Thanks for a great column. Can you provide total sales for Madonna's Immaculate Collection, to compare with the Journey's Greatest Hits item toward the end of your column. Thank you and take care.
      • JT 4 months ago
        Immaculate Collection- as of November- stood at 5.822 million. Paul did a column on the top-selling hits albums in the era a few months back.
    • Irene  •  Englewood, Colorado  •  4 months ago
      As far as the Hot 100, it looks like Rihanna feat. Calvin Harris will be back at #1 again, rather than LMFAO as predicted here, based on the total radio impressions and sales numbers. Katy Perry will drop to at least #7, making that issue about tying Michael Jackson somewhat less likely at least for now. Hopefully Adele can keep up the momentum and take "Set Fire To The Rain" to #1.
      • Irene 4 months ago
        I meant to say #6 for Katy... Jason Mraz could somewhere in the #8-#11 range based on the sales numbers.
    • JoAnne  •  4 months ago
      don't like adele.....never liked carole.
    • JT  •  4 months ago
      In regards to Grammy wins, I take it we're not counting Norah Jones because she didn't co-write "Don't Know Why"?
      • Karen 4 months ago
        When it comes to Record & Song of the year, one is for the writer, the other for (I believe) producer & artist...so, yes, you're right. If she had written or co-written, then she would have fit.
    • dick  •  Seattle, Washington  •  4 months ago
      How can rihanna and coldplay both be @#5
    • KYnS R Hillbillies  •  4 months ago
      The music industry is dead. The only explanation for trash to stay on top for so long.
      • B 4 months ago
        I agree with you 100%. There is no talent. They can't "sing" they are all mostly thugs and poor ghetto trash that THINK they are all of that but are only big because they are supported by other ghetto trash. Racist?? No......Realist?? Yes.
      • KYnS R Hillbillies 4 months ago
        I'll take that one step furthur, if Adele was black most of these white trash soccer moms wouldn't pay any attention to her.