Maximum Performance
  • 10) Michael Jackson
    The indieverse did not forget the King Of Pop. He was there in spirit at Chicago's Union Park throughout the three-day weekend: blasted on the stage between sets, as a carnival cutout, and on Ponytail frontlady Molly Siegel's T-shirt.

    9) Curating A Reunion: "Write The Night"
    It had been more than 10 years since Chicago veterans the Jesus Lizard played their hometown. While David Yow didn't give the crowd his age-old southern exposure, he did lead the band through a fan-picked setlist--stopping only to spit, curse, and follow up with a stagedive.
    P4K's rating of Jesus Lizard's Bang: 7.3
    Y! Music's rating of Jesus Lizard's P4K set: 7.2

    8) Making Boredom Look Cool
    Vivian Girls may have started out playing every Brooklyn loft show under the sun, and seemed terribly bored doing it. But loads of touring cred (and a new album in the works) must have given the indie princesses some live chops. They were one-part bored and two-parts giggly Sunday evening, giving a much-needed

    Read More »from Y! Music’s Top 10 Moments Of The Pitchfork Music Festival
  • Attending Bonnaroo means making a bargain: Sustain only on beef jerky and Ambien-induced sleep for a weekend, and reap the benefits of bruised joints, a deflatedly exhausted post-weekend sense of self, and--hopefully--memories that'll stick with you at least until you've come down from however many 5-Hour-Energy shots (or...whatever) you've consumed to make it through all four days.

    Thankfully, plenty of this year's fest was exceptional enough to stick; in a very organic way, this year's Bonnaroo managed to walk the slippery line between the festival's roots in the somewhat culty world of jam bands (the first couple years, organizers somehow notoriously got everyone who's ever segued two songs of theirs together for late-night megajams) and its more recent reputation as the premiere festival in North America (thanks to bookings like Radiohead and the Police). Coachella may still be capable of the bragging rights that come with breaking bands, but Bonnaroo's the place to come see those

    Read More »from Bonnaroo 2009: The Good, The Bad, And The Jammy
  • It's rare that one of the largest selling acts in pop history also can offer some of the most aesthetically pleasing and challenging music, but that's been the case since the mid-'70s, when successful Brit rock band Fleetwood Mac was joined by the powerhouse duo of Lindsey Buckingham and Stevie Nicks, and the rest was-as the saying goes-history.

    With a series of mega-platinum albums that set worldwide sales records--including Fleetwood Mac, Rumours, Tusk and many more-the band also launched successful solo careers for both Buckingham and Nicks, who managed to record on their own and with Fleetwood Mac.

    Lindsey Buckingham's solo career officially began with 1981's Law & Order and its 1984 follow-up Go Insane. Since that time,  between solo tours, Fleetwood Mac reunion albums and tours, Buckingham has continued producing top-notch material that keeps pushing creative boundaries.

    Prior to releasing his most recent album Gift Of Screws, Buckingham was captured in live performance at Bass

    Read More »from Lindsey Buckingham: The Solo Stuff
  • By the end of the second weekend of the New Orleans Jazz Fest's 40th Anniversary--counting the first Jazz Fest weekend, Ponderosa Stomp, free in-store appearances at Louisiana Music Factory, shows at the new Rock'n'Bowl and other nightlife--I'll have seen over 200 performances in 10 days. I need to relax the frantic pace, I tell myself, for Jazz Fest's last four days. We'll see how long that works. In any case, I think I prefer following Allen Toussaint's lead: "Everything I do will be funky from now on."

     

    THURSDAY

    Your faithful reporter had a late night at Ponderosa Stomp and took the morning to write and file that review. So I miss the 11 a.m. opening bell for Jazz Fest's second weekend. The Thursday quietly nestled between the two weekends is my favorite day--manageable crowds, more emphasis on the "easy" in Big Easy, more local focus. "It's the Louisiana bands who bring people back year after year," says Mark Samuels, president of New Orlean's Basin Street Records, home to Kermit

    Read More »from New Orleans Jazz Fest Pt. 2: The Music Marathon Continues
  • It's not like one needs more ways to fill the time in New Orleans, especially during Jazz Fest. But in its eighth year, Ponderosa Stomp has become a must-see bridge between the two Jazz Fest weekends. A two-night, 40-plus-band extravaganza now augmented by a three-day music conference, Ponderosa Stomp rediscovers lost legends, launches comebacks, initiates reunions, and uncovers secret histories as it celebrates an honor roll of unsung heroes of American music. And, sometimes, the unsung heroes behind unsung heroes.

    "When we started out we had no real design, we were just doing shows with artists we admired," says Ponderosa Stomp founder Ira "Dr. Ike" Padnos, a walking vinyl records database who's an anesthesiologist by day. "The idea was to bring musicians who never played out to New Orleans -- lost heroes, sidemen, one-hit wonders. We want to show history, where music comes from, strip away the museum and oldies show mentality. If you listen to this music you realize how much

    Read More »from Ponderosa Stomp: For Those Who Riff Young
  • If you've never been, the New Orleans Jazz & Heritage Festival presented by Shell sounds like just another festival. Yeah, a jazz fest, big deal. Then, like I did 23 years ago, you find out. It's one of the world's top music experiences, one that has broken many a jaded attitude with its sensory carnival of all types of music, food, and art, largely drawn from the region's built-talent pool. In most ways Jazz Fest has stayed true to its hardcore, multi-cultural roots and origins in New Orleans' Congo Square four decades ago. Big touring acts featured in recent years (Dylan, Springsteen, Plant and Krauss) have realized that the festival isn't just another date on the itinerary and have risen to the occasion. Let's get our guided tour of this year's event started, shall we?

    Jazz Fest by the numbers:  Fortieth anniversary year, 400 bands, 12 stages, 11 am to 7 pm, on 7 days over 2 weekends at New Orleans' Fair Grounds Race Course (1 mile track), 75-125 people thousand per day, 5 cultural

    Read More »from New Orleans Jazz Fest Throws Itself A Big Party: Weekend One
  • OK, I think I have a pretty good workers' compensation case on my hands here. Because I don't know if my tinnitus will ever fully fade after witnessing My Bloody Valentine's high-decibel Coachella Sunday set. My bloody eardrums!

    The reclusive, reunited shoegaze band (or should I say sandal-gaze, since they were playing an outdoor festival in this case) is famous for playing at face-melting, hallucination-inducing, bowel-quaking volumes, but I foolishly assumed that in an open-air setting, MBV's din would be diminished. Wrong. The moment their first cacophonous note squalled across Indio's Empire Polo Field, I was frantically reaching for my earplugs--the first time I'd had to do so all weekend long. Then I pushed those foam plugs into my ear canals so far and so forcefully, they practically came out my nose.

    Understandably, no band played in the same timeslot on the neighboring Outdoor Stage for the duration of MBV's cranked-to-1100 set, as any competing performer would have been

    Read More »from COACHELLA ’09 SUNDAY: My Bloody Valentine, The Cure & Public Enemy Bring The Noise
  • The moment the Coachella 2009 lineup was revealed, I saw Amy Winehouse's name listed for Saturday and thought, "Yeah, right. That's so not gonna happen." And sure enough, a few weeks later it was announced that the famously flaky Amy's Coachella appearance had been cancelled due to her typical U.S. visa issues. That was no surprise.

    What was surprising was the subsequent announcement that Amy's main stage replacement for Coachella Saturday would be Sri Lankan-born, Britain-bred M.I.A.--a woman who ironically once dealt with visa problems herself, and who had a baby less than two months ago.

    Of course, M.I.A.'s career has been on an unlikely upward trajectory as of late: After her song "Paper Planes" was used in the Pineapple Express trailer, it became a hit more than a year after its release, and multiple Grammy nominations (and a memorable nine-months-pregnant Grammy performance) followed. She was then even co-nominated for an Oscar for "O Saya" from Slumdog Millionaire. With

    Read More »from COACHELLA ’09 SATURDAY: No One At Coachella Has Swagga Like M.I.A.
  • Some indie purists balked when they first heard that Sir Paul McCartney was headlining this year's hot Coachella Festival out in the hot California desert this weekend. Some old classic rock guy playing the same hipster rockfest as the Yeah Yeah Yeahs and M.I.A.? Perish the thought! But I never doubted that Paul would some real Macca magic at Coachella '09.

    First of all, Coachella has always been home to reunion and heritage acts, and this year the lineup skewed especially older (possibly because more "mature" music fans have the disposable income to attend Coachella during these recessionistic times), featuring veterans like Morrissey, the Cure, My Bloody Valentine, Public Enemy, Throbbing Gristle, X, Bob Mould, Paul Weller, the Orb, Henry Rollins, and Superchunk. So I figured Paul would fit right in. In fact, with 75-year-old Leonard Cohen playing Coachella this year, Paul wouldn't even be the eldest elder statesman on the bill!

    Second, EVERYONE loves the Beatles. They're sort of

    Read More »from COACHELLA ’09 FRIDAY: Sweatin’ To The Oldies With Macca, Moz, Cohen
  • Digg founder Kevin Rose just interviewed music icon Trent Reznor of Nine Inch Nails with the top questions submitted and voted on by the Digg community. You can check out the highlights in the video below, and see the full 40-minute interview here.

    For those of you who aren't current on Reznor's career, he is best known as founding member and lead singer for Nine Inch Nails. NIN has sold more than 20 million albums worldwide, winning multiple Grammys. In 2007, Reznor split ties with his record label and is now an independent musician, releasing albums under a Creative Commons license and utilizing technologies such as BitTorrent to promote the sharing of his music. He is considered by the Los Angeles Times to be one of the most acclaimed creative figures of his generation of music. This is a great opportunity to find out what's next for Reznor and gain insight into the rapidly evolving world of online music, entertainment, and technology.

    Digg Dialogg recently gave the Digg community

    Read More »from Digg Dialogg With Trent Reznor

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