Maximum Performance
  • Few bands from the '80s or the '90s have managed to remain as relevant and influential as Depeche Mode. It's almost impossible to believe that the seminal synth band has been making music for almost 30 years, not just considering all the odds stacked against them--the departures of Vince Clarke and later Alan Wilder; the early detractors who at first refused to take a guitar-less band seriously; the much-publicized addiction struggles of frontman Dave Gahan--but also considering how fresh and exciting their 12th studio album, Sounds Of The Universe, truly is.

    Recorded 28 long years after Depeche's legendary debut Speak & Spell, the new album is an ambient, atmospheric opus, the stunning work of a band still very much in its prime. That's no easy feat--few of Depeche's new wave peers have survived or aged so well. But Depeche Mode remain vital because they never remain the same. They switch it up from album to album, always progressing, always reaching and expanding, and that is why

    Read More »from Depeche Mode: The Y! Music Interview
  • One of the most memorable moments of U2's lengthy career was--by the band's own account--their participation in the celebration of the inauguration of new US president Barack Obama.

    Playing on the steps of the Lincoln Memorial, this band--this Irish band--was inescapably awestruck.

    "We were invited to this moment in American history, and it was an incredible moment in time," says the Edge. "And I had this experience where we're walking out and looking towards the Washington Monument. I had this unbelievable sense of déjà vu, because we had used the footage of Martin Luther King making the speech that he made--the Mountaintop Speech--from the same spot in the '60s on our screens for a couple of tours. So I knew that image so well. But now, seeing it live..."

    Adds Bono: "To find yourself on the steps of the Lincoln Memorial--where he gave his 'I Have A Dream' speech, and to be asked to be there by this president, who in many ways was squaring the circle, and part of realizing Dr. King's

    Read More »from U2: The Y! Music Interview, Part 3
  • "Compared to making music," says U2's Bono, "selling music is a piece of [X]."

    Mathematically speaking, let's just say that in this equation, "X" equals a slang term that in the USA might safely be called "cake."

    In this, the second part of Y! Music's U2 interview, Bono, the Edge and Adam Clayton discuss the contrast between making music on one hand, then going out to promote it on the other. "You go away for a couple of years. Why should [people] be thinking about you? So we want to remind them that we're here, and we'll ask them to--what do they say in the Oscars? `We thank you for your consideration.'"

    Additionally, the band sheds some interesting light of No Line On The Horizon's closing track, the subtle and stunning "Cedars Of Lebanon." Bono says the song's lyric was written from the perspective of a war correspondent; "I meet a lot of these kind of foreign correspondents in my other job as an activist," says the singer.

    Most notable may be the song's closing verse, which even

    Read More »from U2: The Y! Music Interview, Part 2
  • What's helped propel rockers U2 to the very top of the pop heap?

    Never doing what any record company has ever told them, says the band's superstar lead vocalist, Bono.

    "Our music is truly independent--we've never had a record label ever tell us what to do," the singer recently told Yahoo! Music. "We once had a record executive come [into the studio] in our early days to a recording. We played him 'Sunday Bloody Sunday.' And he said, 'Great song, could we lose the "bloody?"'

    "And so we never invited anyone back."

    Getting some personal time with U2 is by no means an easy task, but Y! Music was fortunate enough to catch up with the band recently when they were in the L.A. area following the release of their latest album, No Line On The Horizon.

    In fact, the interview came after an extraordinary amount of high-profile appearances by the Irish quartet, starting with a conspicuous opening slot on this year's Grammy Awards show, a once-in-a-lifetime command performance during the week of

    Read More »from U2: The Y! Music Interview, Part 1
  • Oklahoma's Stardeath & White Dwarfs landed probably one of THE most awesome gigs at South By Southwest this year: warming up the Austin Music Hall stage for new wave legends Devo. Devo were at the festival to generate buzz for their first studio album of new material in 19 years, and Stardeath were there to generate buzz for their first studio album ever, The Birth. Both bands were very successful in their missions Friday night.

    It would be easy to dismissively assume that Stardeath & White Dwarfs landed this prime opening slot because of band leader Dennis Coyne's family connections: He's one of the Oklahoma City Coynes--that is, he's the nephew and sometimes collaborator of Flaming Lips genius Wayne Coyne. But Dennis has genuinely inherited his uncle's immense talent and oddball aesthetic: The Lips' psychedelic influence is readily apparent in Stardeath's swirly, soundscapey, experimental rock (as well as in Dennis's raspy, dreamy falsetto and the band's stage show, which Friday

    Read More »from SXSW 2009 ARTIST ALERT: Stardeath & White Dwarfs
  • One of the great things about South By Southwest is that, tounintentionally quote Radiohead, meeting people is easy. And re-meeting peopleis easy, too: You can just be stumbling down 6th Street and run into random rockerfriends from around the globe.

    I first met Leeds-bred, New York-based band Your Vegas atSXSW 2008, when I interviewed them and had the privilege of catching a privateacoustic performance at Gibson Studios on Congress (see second clip below). Atthat point I openly predicted that they would be huge. Like, U2-huge. The guyslooked like heathrobby rock stars, had fabulously windblown/widescreen epicanthems, and the singer, Coyle Girelli, could reach octaves that even JustinHawkins might struggle with. I was convinced that Your Vegas was the NextColdplay.

    Well, then Coldplay got around to releasing Viva La Vida and spoiled that plan. Ihave no other logical explanation for why Your Vegas is not planet-conquering,stadium-selling-out massive yet (especially since they were so

    Read More »from SXSW 2009 ARTIST ALERT: Your Vegas
  • After three days of wandering street to street in Austin, one would hope the last night of this year's South By Southwest Music Conference would end with the second biggest bang ever.

    But due to circumstances beyond our control, this was not to be!

    Where to start? How about in the missed opportunities department? Social dynamo that I am, a late arrival and my extended conversation at a dinner engagement kept me from seeing the first band I'd planned to see here last night, and that would be England's White Lies, whose debut album entered the UK charts at No. 1, and yes, I agree, what hasn't? Still the newish band evokes the sound of bands I once liked quite a bit--midway between the Teardrop Explodes and Icicle Works, at least in terms of their lead vocals--and they apparently went down a storm, though sadly not literally.

    No, the first band I was to see was at the same venue the White Lies had just played--Stubb's--and again was a band rather notable in theUK. Their name was, and is,

    Read More »from SXSW 2009: PJ Harvey And A Number Of Others!
  • A few weeks ago my friend sent me a link to a video by this L.A. band I'd never heard of, Fitz & The Tantrums. And immediately, I wanted to hear more. A supercool Motown-style combo in the Mark Ronson/Sharon Jones/mid-period-ABC vein (imagine if Amy Winehouse was blonde, male, and sane, and that's Fitz), it was impossible to comprehend that the Tantrums weren't already signed. And already huge.

    Well, fast-forward to South By Southwest this past week in Austin. There I was, sitting backstage at Perez Hilton's Saturday night bash, waiting to use one of the handy laptops in the Dell Lounge so I could blog about the party's goings-on. But I ended up blogging about Fitz & The Tantrums instead, when I realized that the familiar-looking silvery-blonde, mod-suited gentleman on the laptop next to me was none other than Fitz, the crooner I'd seen in that video.

    He was at SXSW attending some mover-and-shaker meetings, one of which will surely lead to his much-deserved record deal. So I figured

    Read More »from SXSW 2009 ARTIST ALERT: Fitz & The Tantrums
  • Say what you will about Perez Hilton--he certainly has his haters out there--but the guy has great taste in music.

    His "One Night In Austin" closing party at last year's South By Southwest featured an amazing lineup (Katy Perry, N.E.R.D., Robyn, Chester French), and his 2009 SXSW Saturday bash was another event to see and be scene, this time with an absolutely fabulous "divas" theme.

    On the bill this year were all of Perez's favorite fierce ladies, including the undeniably awesome Solange, New Zealand new-waver Ladyhawke, English electro goddess Little Boots, creatively named coed party band Natalie Portman's Shaved Head, French pop chanteuse Yelle, and even potty-mouthed comedienne Margaret Cho. (Lady Sovereign was supposed to show but cancelled at the last minute, inciting an angry, unprintable onstage cursing spree from Perez.)

    There was also a "surprise guest," which was rumored to be everyone from Lady GaGa to Tori Amos to Madonna but turned out to be, um, the Indigo Girls. Oh

    Read More »from SXSW 2009: Perez Hilton’s Ladies Night
  • London's WhiteLies are the first British band to chart a number one album in the U.K. in2009, and rightfully so: It may only be March, but their moody debut, To Lose My Life, is already shaping upto be one of the top albums of the year.

    Of course, in a vast country like America, debuting at number one isa much more difficult feat, particularly for a doomy British alternative act.But White Lies have definitely got the goods to pull it off, and they generatedquite a buzz at South By Southwest on Saturday, when they played Stubb's on a must-not-miss bill alongside Razorlight andPJ Harvey & John Parish.

    I was kind of hoping that they might also do some sort of liveonstage mashup with surprise SXSW performer Kanye West (White Lies' recent cover of "Love Lockdown" isgenius), but even though that didn'thappen--despite my well-meaning suggestion in the interview below--White Liesnevertheless made a name for themselves in Austin this year. No lie.

    Here's a clip ofme chatting with the band

    Read More »from SXSW 2009 ARTIST ALERT: White Lies

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