Maximum Performance
  • I didn't spotHef or any Girls Next Door, and the proceedings took place inside an old guttedSafeway supermarket on the I-35 highway instead of the Playboy Mansion. But there were Playmates inold-school satin bunny ears at Playboy's10th annual South By Southwest "Rock The Rabbit" party last night, alongwith live music by alt-hop MC Kenan Bell, Scottish disco-popster Calvin Harris,underground electronic guru Bassnectar, and "secret" headliner Jane's Addiction.

    (Motley Crue were rumored to be thespecial Rock The Rabbit guests, but the crowd seemed pretty happy when PerryFarrell and Dave Navarro, not Vince Neil and Mick Mars, hit the stage at 1:30am.)

    And hey, for any party people who didn't appreciate the live entertainment, there wasplenty of, um, reading material lying around. I admit I skimmed themusic-themed "Rock The Rabbit" Playboy issue while I was at the party, but in my case I reallyWAS reading Playboy for the articles.

    And of course, I was there for the music, not

    Read More »from Playboy After Dark: Rockin’ The Rabbit At SXSW 2009
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    Gallows at Emo's main room: 4.2 out of 5

    Loud, thrashy, energetic. Really impressed.

     

    Mariachi El Bronx at Red 7 patio: 4.7

    Beautiful, intense mariachi with a sense of humor. So, so good.

     

    Peter Bjorn & John at Vice: 3.3

    Enticing songs marred by myriad technical issues. Needs investigation.

     

    The Bronx at Red 7 patio: 4.9

    How can they keep getting better? They will kill us all without mercy!

     

    Check out all the photos on my flickr stream, and more of my reviews on Out of Five.

    Read More »from SXSW 2009 In Photos: Day 1
  • Little Boots is clearly a big star in the making. Theblonde, British electropop chanteuse (real name: Victoria Hesketh) is alreadybeing championed by Perez Hilton months before her U.S. album debut even comes out (she'll be playing his South By Southwest closing-night"Divas" party alongside Solange and Margaret Cho). And when sheheadlined Thursday's SXSW "AllThat Sparkles" party at Malverde, throngs of adoring hipster fans waitedpatiently to see her, even though she went on more than an hour late due tosoundcheck snafus.

    By the time Little Boots hit the stage, which was actually amakeshift platform on Malverde'soutdoor patio, she had to perform in almost total darkness, as the sun hadalready set and there were no stagelights of any light. But Boots managedto light up Malverde and sparkle nonetheless. Her stage presence was positivelyKylie-esque, while her pure pop voice--accompanied by little else than minimalsequencers and keyboards--seemed amazingly big, in a Robyn/Lady GaGa

    Read More »from SXSW 2009 ARTIST ALERT: Little Boots
  • Hey kids, remember the alt-rockin',grrrl-powered 1990s, when fierce female bands like Bikini Kill, Babes InToyland, Huggy Bear, Sleater-Kinney, the Red Aunts, L7, Hole, and Veruca Salt screamedand shouted and smashed it up as noisily and attitudinally as the boys?

    Well, I do, and so do Brooklyn garage rockers Vivian Girls, whocame to South By Southwest this year to play 18 shows (yes, you read thatright: EIGHTEEN) and refresh everyone'smemory of that awesome, estrogen-fueled era.

    How many all-boy bands are brave enough to play 18 gigs infour days, and would look as good doing it?

    The Vivian Girls were indeed looking good, and soundinggood, Thursday afternoon, when they played the Urban Outfitters Backlot party.There, in exchange for their rocking services, they were handsomely rewarded with theadoration of a packed tent's worth of sweaty but well-dressed fans, plus a fabulous Urban Outfitters shoppingspree. (My attempt to tag along on this spree as the "fourth Vivian Girl" didn't

    Read More »from SXSW 2009 ARTIST ALERT: Vivian Girls
  • Speaking as a writer who has every intention of documenting the thrills and spills to be had at this year's exciting South By Southwest Music & Media Conference, it would not behoove me to begin this account by grumbling about my personal travails--the hardships faced in establishing a respectable Internet connection in my hotel room, the horrendous distance I find myself regularly walking from hotel to Event A to Event B to Event C and back to my hotel room, or the nefarious behavior of the actual hotel in promising me a smoking room well in advance but now claiming to have established a new "no smoking" policy only last week--so instead: Let's talk music!

    Getting something of a late start last night, I trudged over to the wonderful Stubb's venue, anticipating seeing Ladyhawke, who I like, and the Decemberists, who I like very much, and the two artists in between. Sadly, my compulsion to quench my thirst, so to speak, on the way to the venue led me to missing Ladyhawke, but I believe

    Read More »from SXSW 2009: The Decemberists Unleashed! Others, Leashed!
  • Day number two of by South By Southwest conveniently beganat the Carrera Cafe, an invite-only, air-conditioned oasis of swag bags, freered velvet cake, chicken-fried salad (this IS Texas, after all), spa-massagestations, and (best of all for people like myself who were operating on only afew hours of sleep) Monster energy drinks and Cafe Bustelo espressos.

    It's no wonderthis was THE place many artists chose to conduct their SXSW interviews. So whenBritish hipsters Late Of The Pier suggested we meet here, I didn't protest too much.

    I wouldn't haveprotested, honestly, if they'd askedto meet up outside a random taco truck on 6th Street. This indie-electronic combohas been one of the bands I'm mostexcited about at SXSW 2009, and honestly one of the bands I'm most excited about in 2009 overall. Their giglast night at La Zona Rosa was amazing (despitewhat they said--really, guys, you'retoo hard on yourselves!) and with several more LOTP showcases and privateparty performances set up this

    Read More »from SXSW 2009 ARTIST ALERT: Late Of The Pier
  • Conspicuous South By Southwest consumption is usually all about the barbeque. But on night number one of the Austin musicfest, I chose to hit the kickoff party at the British Music Embassy at the Latitude 30 club, where I instead gorged on a Texas-sized buffet of bangers 'n' mash, cheese-and-onion pie with HP sauce, and sticky toffee pudding. However, while I was there I also enjoyed an unexpected feast for the ears, courtesy of a band I'd never heard of before but in that moment decided I loved even more than delicious sticky toffee pudding: Glasgow's Dananananaykroyd.

    Described by me as "janglo" (jangly emo) and by the band themselves as "fight-pop" (I like their description better), Dananananaykroyd put on a show (their first ever in the U.S.) that made even the thirstiest compulsive-drinking Brits and Texans alike step away from the bar and pay full attention. But Dananananaykroyd seemed more like lovers than fighters to me, with all their party-perfect crowd-participation antics:

    Read More »from SXSW 2009 ARTIST ALERT: Dananananaykroyd
  • The music festival South By Southwest--Austin, Texas's four-day spree of beer, BBQ, and bands (althoughnot necessarily in that exact order)--kicked off today, and I of coursewasted no time indulging in all three B's,hightailing it directly from the Austin airport to my first party of the dayover at Maggie Mae's on 6th Street. But ironically that beer bash was hosted by Spaceland, a rock club in my own nativeL.A.--so thereI was, hundreds of miles from my usual turf, still running into the same Angelenoscenesters that I socialize with on a near-nightly basis back home.

    But there was one gaggle of exotic party guests, who'd traveled all the way from Denmark toentertain the Maggie Mae's masses,and that was the Asteroids Galaxy Tour. Best known in America so farfor their maddeningly catchy single "Around The Bend," as heard in arecent iPod Touch commercial, AGT certainly stood out from the rest of theskinny-jeaned, fringe-haircutted bands playing the Spaceland party. Dressed inearly-'90

    Read More »from SXSW 2009 ARTIST ALERT: Asteroids Galaxy Tour
  • Long renowned for being on the cutting edge of contemporary rock 'n' roll, Linkin Park continue being ahead of the curve when it comes to charitable causes--and their latest crusade via Music For Relief puts a whole new spin on contributing to a worthy cause.

    The cause itself? Haitian relief. The troubled country, already in the midst of a years-long food crisis, was pummeled by a hurricane last September which destroyed crops, killed livestock, and raised its overall misery index to near intolerable levels.



    Linkin Park hope to raise a minimum of $25,000 to provide support to the country, and is doing so via the site SocialVibe.com, a new "social media" platform that specializes in helping its users support brands and charities via social networks like Facebook and MySpace. Members of SocialVibe can create personalized badges and place them on any of their social network profiles. Advertising revenue that SocialVibe receives from its brand partners is then allocated to the individual

    Read More »from Linkin Park And SocialVibe Aiming For Haitian Relief

  • In many ways the band Phishhas represented a cultural phenomenon that has only become evident inretrospect: In their earliest days in the mid- and late-'80s they mostly were spokenabout in terms of their cultural "similarity" to the still-functioning GratefulDead. Both bands consisted of excellentmusicians pursing music for the sake of music, rather than commerce, and bothdeveloped long-term relationships with a continually growing fanbase.

    But it was really in the early '90s, when the band playedsome shows on the first H.O.R.D.E. tour, that their status as post-Dead pioneersbecame evident. They were one of the first batch of popular artists to openlyembrace tape-trading among their fans, they played extended performances withan aggressively shifting repertoire, and in short they helped create what wenow refer to as the "Jam Band" phenomenon, a catchphrase used to describe suchdivergent artists as Blues Traveler, Widespread Panic, the String CheeseIncident, Gov't Mule, Umphrey's McGee,

    Read More »from Phish: Live At The Clifford Ball!

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