After the recent hubbub of the Grammys, the sad demise of Whitney Houston, and the surrealistic news of further recorded collaborations by contemporary singing stars Rihanna and Chris Brown, one might say...anything goes!
And so, to celebrate, to get in the mood--to, in a sense, cleanse my palate of all that today's music scene has to offer--this week I decided to get rid of all my preconceived notions of what was right, wrong, good or bad, and, indeed, start from scratch! I would listen to every new piece of music that crossed my path and judge it purely for what it was--without prejudice, critical snobbery, or that numbing sense that everything now being done was once done before, but, sadly, even better.
And thus, to begin my quest, I decided I would start anew by listening to the complete recorded works of Dutch rockers Golden Earring, a long-lived band who since the mid-'60s have recorded a fascinating catalog of slightly off popular music that would eventually encompass a fascinating side-long cover version of the Byrds' "Eight Miles High," a memorable testosterone-infused hit with "Radar Love," a staggering classic via the accompanying "Candy's Going Bad," an early MTV hit with "Twilight Zone," and a whole bunch of other albums that, remarkably, have never stopped coming. All over the place.
In short: They are now the critical baseline by which I will now render all of my judgments regarding today's popular music!
Were I not to notify you of this, I would be doing you a disservice!
Sleigh Bells: Reign Of Terror (Mom + Pop) While I am sadly hip enough to know this trendy duo appeared on Saturday Night Live this weekend, I simply did not have
