of a new song he's recorded with Robby Krieger and John Densmore, as
well as popular DJ/producer Skrillex (Sonny Moore). The recording
session and song are part of a new documentary film, RE:GENERATION,
that recruited five popular DJs/producers to work with artists from
five separate genres and had them record new music. You can get a small
glimpse of the results for the first time in this exclusive world
premiere of the trailer below.
In addition to Skrillex, the project, co-produced by the Grammys and directed by Amir Bar Lev (The Pat Tillman Story, My Child Can Paint That),
brought in DJ Premier to produce a classical track with Nas and the
Berklee School of Music Orchestra; Pretty Lights, who did a country song
with Leann Rimes and Ralph Stanley; the Crystal Method, who headed to
Detroit to spend two days recording a R&B tune with Martha Reeves;
and Mark Ronson, who teamed with Erykah Badu, members of the Dap Kings
and Trombone Shorty for a jazz cut in New Orleans.
The pairings led to some real fish out of water moments. For
instance, Pretty Lights (real name Derek Vincent Smith) says that when
he first got in the Nashville studio he might as well have been speaking
a foreign language.
"It was a lot of me having to communicate my approach and my ideas to
a roomful of top-level country players who were just looking at me
like, 'Who's this dude?'" Smith says. "And then when Ralph showed up, I
tried to tell him what I wanted to do and his response was, 'I think
we'll just do it my way.'"
Not every pairing had those initial issues, though. Manzarek and
Skrillex had an immediate musical connection. "[Sonny] plays his beat,
all he had to do was play the one thing. I listened to it and I said,
'Holy s**t, that's strong,'" Manzarek says. "Basically, it's a variation
on 'Milestones,' by Miles Davis, and if I do say so myself, sounds
f**king great, hot as hell."
The union of the Crystal Method with Reeves (best known for the
iconic "Dancing In The Streets") was the best of both worlds - a happy
pairing with some creative tension. "It's gonna be a really interesting
viewing cause we got along really well with her," TCM's Scott Kirkland
says, "but there are also moments when we're trying to whip the lyrics
out where she's just like, 'No, no.'"
The film should premiere early in 2012 and will be a big part of
Grammy Week next year, with the artists involved doing "Remix Labs," as
well an event at the Grammy Museum and screening that week.
Photo by Brian Nevins
- Ray Manzarek
- Robby Krieger