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    Bobby Brown
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Bobby Brown
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Back On The Scene With A New Routine

12/03/1997 3:00 AM, Yahoo! Music
Asondra Hunter


Bobby Brown: Back On The Scene With A New Routine. Exclusive myLAUNCH Q&A By Asondra HunterPhoto of Bobby Brown
The media calls me a bad boy just because of the way I act and feel onstage. They need to ask, "Will the real Bobby stand up?" because they don't know who I am.
The Cheetah Club in New York City is mad hectic on this Tuesday night, because Bobby Brown's album release party has given them a whole new right to boss people around at the door. A bevy of bouncers, who take turns manufacturing fragmented thoughts for no apparent reason than to hear themselves talk, are making life hard for the guests trying to get inside tonight's hot spot--many of whom are Bobby's friends and colleagues. Others waiting outside, dressed in fatigue outfits from the artist's "Getaway" video, must have duplicated the laminated invite on their friend's Macintosh computer, because they couldn't possibly have been on the VIP list.

"Make a single line. I'm not gonna say it again," one beefy bouncer shouts angrily into the frigid foggy air. Taking his career frustrations out on the crowd, he looks at me with a "I mean you too," glare, but I don't care. I'm not shifting an inch. Seconds later, another bouncer, who looks just like the first, echoes his cohort's sentiments as if his words are being propelled by a robotic on/off switch screwed neck Frankenstein-style into the back of his neck, and then the first guy, contrary to his promise, warns the crowd again. And again. And again, until his words carry no merit or threat.

I quickly squeeze my way past the unnecessary chaos at the door after growling over velvet-rope politics, and make my way past frozen-in-place good-time girls who appear to have overdosed on the dynamic barbiturate known as Bobby (who, contrary to what the media may think, is not doped up). I finally find a safe corner roped off by a human chain of bodyguards, and behind all of the flashing cameras and flapping gums sits Bobby's mother, dressed in Winter white just like her son. Bearing a striking resemblance to Dorothy I. Height (the president of the National Council For Negro Women), the woman who brought Bobby into this world looks peaceful despite the hoopla surrounding her on all sides.

Finally, a family friend introduces us, then gives me his seat so that Mrs. Brown and I can chat for a second.

"This is my first drink in three years," she says about the glass of spirits sitting between two big bottles of Cristal. Pointing to what is probably a whiskey sour, she continues: "But this is a reason to celebrate, so I figured I can have a drink. It's not everyday that a mother's son comes out with an album."

True, it is not an everyday occurrence. The following is a conversation with Mrs. Brown's son, Bobby, about his new album, Forever.

LAUNCH:
After being on the down low musically, solo-wise, for the last few years, how does it feel to be back in the thick of things?

BOBBY:
Oh, it feels good. I like being in control of making all the major decisions pertaining to my projects. That's something that you don't get to do in a group. Everything has to be voted on--every minor decision. I don't mind hearing someone else's opinion, but have you ever been in a situation where people can't agree on a single thing?

LAUNCH:
Yeah, and it's aggravating to say the least. Is that the way it was on the New Edition reunion tour? Did you guys have a lot of disagreements? I was at one of your video shoots and it was as if you all had grown in separate directions.

BOBBY:
I grew up and sold millions of records. Some of the other guys have had their different levels of success, but some had very little success, so naturally, there's gonna be some tension. We also just grew apart.

LAUNCH:
Why the reunion then? Were you guys at least friends?

BOBBY:
We didn't hang out. This was a business decision. Initially, that's why I wanted to do the tour and then I find out that 10 years later, these brothers are still the same way they were.

LAUNCH:
That's an important point, because it seems that when a group forms as boys, when they become men the dynamics should change.

BOBBY:
Wasn't nobody ready for internationalism. I don't think we should have started the tour in America. We should have went straight overseas. It would have been better because it would have brought us closer together--as far as them being allowed to see all of the places I've seen.

LAUNCH:
Your new album contains a lot of mature ballads. Are you still the same Bobby as you were this time last year?

BOBBY:
It's all just Bobby really. I have many facets, and I love the album because it has tender ballads and uptempo cuts. I'm still writing and producing a lot. As far as what people will expect, I think people tend to read into things too much. Everybody's thinking that I'm hardcore, but that's an image.

LAUNCH:
Are you outgrowing your hardcore image?

BOBBY:
Rock stars never outgrow their images. Look at Mick Jagger or Keith Richards. I'll be this way until it doesn't feel right, because I love ballads and real singing. The album has a lot of slow songs that talk about how I feel about my wife on it because that's the way I was feeling while I was writing. In the beginning, the media was calling me a bad boy all the time because of the way I act and feel onstage. None of them have ever taken the time to get to know me when I climb offstage.

LAUNCH:
The media has had a field day talking about you and your wife, Whitney Houston. How do you find the courage to read the newspaper knowing that some opportunistic gossip columnist might be using you as bait to catch more readers?

BOBBY:
After a while, it's like they need to ask, "Will the real Bobby stand up?" because they don't know who I am. They don't know how to separate the stage Bobby from the Bobby who lives a life offstage. I could really care less about what they think about me, but at the same time, I do have something to prove. Whitney and I have fun reading the newspaper sometimes. You'd be amazed at the places they say I've been. Nobody could do everything I've been accused of, so I decided to laugh at the bullshit. It's making them money and making them happy, so why should I mess up their small piece of happiness if that's all they got to do?

LAUNCH:
What exactly are you trying to prove?

BOBBY:
That I have more hits in me. I have a lot more to say.

LAUNCH:
You've made some mistakes throughout your life, if anything we've read or saw in the media with regard to your anger control and alcohol abuse is true. Trouble seems to follow you, doesn't it?

BOBBY:
You know, I don't know why. Trouble must like being in my shadow or something. [He laughs while lighting up another Newport.]

Audio Icon "It's Still My Thang"
Audio Icon "Forever"
Audio Icon "She's All I Need"
LAUNCH:
Can you tell me how the fight with the man in Orlando got started? According to the papers, you started the fight.

BOBBY:
People shouldn't believe the lies. The reason why I tried to kill that man is because he spat on me. That's the dirtiest thing you can do to a man. He got $30,000 out of it, so he's happy. All he wanted was money. He was drunk and he made that mistake of spitting. He won't spit on nobody else.

LAUNCH:
I guess not. People love starting shit with you. Why?

BOBBY:
Once people hear that I fight, then they wanna sue me after I whoop up on that ass. They wouldn't have been sitting up in a hospital if they didn't approach me in a wrongful manner. Deal with me as a man. I'm not disrespectful to anyone who's not disrespectful to me. My father said "If somebody hits you, then you hit them back harder." That's the nature of the black family.