In 1986, Billy Bragg released Talking With The Taxman About Poetry, which is often cited as his finest album. A
decade later, Bragg has returned with his first release since 1991,
William Bloke, an album that could as well have been titled
Talking With An Electric-Guitar-toting Troubadour About
Parenthood. In the five years that Bragg has been away, a lot has
changed. Most importantly, Ol' Bill has become a dad. As anyone who
has experienced such a thing will surely tell you, the old cliche about
it changing your life is absolutely true. Just ask Bill. "I have to sing
a bit quieter," he says. "Trying to do a lullaby in my usual singing
accent is a bit of a shock to his system, so you may find on the new
album I'm singing a little more gently."
It has also given Bragg a
new outlook on life. "Having a kid brings you perspective by the
bucketload, usually at 3 in the morning. And I think that is a good
thing, because this is a stupid job," he adds. Apparently life as a
politically-active British rock star isn't all it's cracked up to be.
Becoming a dad has put Bragg back in touch with reality, he says. "If
the majority of your experiences are in the real world, it can only help
you put insightful ideas about the real world onto your records," he
adds. "Without wanting to make it a 'big dad record,' I've always tried
make records that reflect what's happening in my life at that particular
time."
Bragg's new role as poppa and the dilemmas that role creates
is quite apparent in "From Red To Blue," the opening track on William
Bloke. In the song, Bragg asks the musical question, "Should I vote
red for my class or green for our children?"
Explains Bragg, "I put that line in to
reflect that I too wonder what is the best way to make a better world."
It seems that Bragg's partner and mother of his child thinks the
environmental party is the way to go, rather than the socialist party,
but Ol' Bill isn't quite convinced. "It's a discussion we have," Bragg
admits. However, he really doesn't have the answer. He just wants to
make sure that people are discussing such issues.
"'From Red To
Blue' is a song that challenges people of my generation who were perhaps
more active in the '80s not to become reactionary fuddy duddies as they
grow older," he adds. "But in writing a song like that, you have to be
careful not to take a position that is politically correct or holier
than thou."
In "The Space Race Is Over," another tune from
William Bloke, you, dear user of the internet, may initially
think that Bragg has become a "reactionary old fuddy duddy" himself. In
the song, Bill boy sings, "Don't offer me a place out in cyberspace/Cos
where in the hell's that at?"
But have no fear, net-heads, Billy
isn't really dissing this very medium. "I'm not saying that I'm not
interested in cyberspace," he says. "It's a great means of democratizing
information, but it is not the same as going to the moon...The
underlying message of that is that while technology is great, we mustn't
rely on it to solve all of our problems. We mustn't sit around and have
unsafe sex and say, 'Don't worry, scientists will come up with a cure
for AIDS.'"
On a lighter note, we probably shouldn't sit around
while the world deals with what Billy terms as "the Oasis problem." Says
Billy, "Oasis is like the new orthodoxy in Britain and everyone in the
pop firmament is positioned vis-a-vis Oasis. As a lyricist, they don't
really do it for me...I'm one of those guys who sits around and thinks,
`What exactly is a wonderwall?'"
When Bragg is reminded that
Wonderwall is the title of an obscure soundtrack album by George
Harrison, he quips, "So you think he's saying, `After all this time, my
darling who I love so much, you are merely a George Harrison
soundtrack?"
If your looking for some Beatlesque pop, Bragg suggests
Robyn Hitchcock, his recent touring mate who he refers to as "the
Disposable Hero Of Hitchcockeracy."
"In my mind, if you want to see
someone who has taken some of the best ideas of the Beatles and gone
forward with them, don't waste your time on Oasis," Bragg says.
"Hitchcock can sing better John Lennon than either of the Gallagher
brothers and he is much more true to it. It's just pure ageism that he
is not as hip as Oasis."
Billy himself is no longer "the new
brunette"--to paraphrase one of his early songs--on the pop scene. That
fact is quite apparent throughout William Bloke, as Billy
struggles with getting older and becoming a dad. In the song "Brickbat,"
Bill croons "I used to want to plant bombs at the last night of the
Proms [a yearly imperialist gathering in Britain]/But now you'll find me
with the baby, in the bathroom." But just because we're all getting
older doesn't mean that we can't change the world.
"There are less
destructive ways to change the world--and one of those ways, among
others, is the way you bring up your children," he says. "I think that
is a very hands-on way to change the world. You can't keep charging
people into the barricades and not come way with something in the end.
People get disillusioned and walk away.
"When it comes down to being
a parent, you actually see why you are doing this.
"It's not just
for you, it's not just so that you blow off explosives in the memory of
Che Guevara, it's to make a better world for the next generation," Billy
adds. "I think that is as fundamentally as motivating as any other
political idea."
To hear (and see) Billy Bragg performing a
LAUNCH-exclusive live version of "Upfield," check out the Hang in LAUNCH No. 10.