It's not
easy being a Butthole. Just ask guitarist/producer Paul Leary. The
Butthole Surfers' current tour is only a few days old, but things aren't
going so well. First Leary's mother passed away. Then--though he can
still play his guitar--he broke his right hand. "Self-inflicted broken
bones," Leary says. "I hit a hard object. I wanted broken bones. I got
them." He's also not feeling too well. The Surfers are holed up in a
fairly posh West Hollywood hotel, located off the Sunset Strip, but
Leary suspects their food from room service last night may have been
tainted.
"Man, I feel like shit," Leary says. The Butthole Surfers
wild-eyed frontman Gibby Haynes isn't faring much better. He gets up in
the middle of the interview and heads for the door, only to come back
minutes later. "They won't let me into my room," he says. Then he heads
to the bathroom. Moments later he emerges and mutters something about
"making diarrhea" in his road manager's bathroom.
But not all is
wrong in the world of the Buttholes. "Pepper" is the most popular song
at modern rock radio and Electriclarryland, the band's 13th
release, is already the best-selling effort of its career. After 15
years of slugging it out in the alternative rock underground, the
Buttholes have arrived. I share the news with the band, but they're not
impressed.
"Now we can join the number of faceless bands that have a
modern rock hit," offers the Surfers drummer, bald-headed King Coffey.
"We're this month's Sponge."
Gibby has a different take. "I think
we're just riding a big Hootie backlash," he says. "It's the other side
of the pendulum swing to Hootie & The Blowfish."
In a world filled
with warmed-over alternative rock clones, the Butthole Surfers are still
downright refreshing. "We're feeling pretty warmed-over ourselves. For
15 years, we had nothing but up to look forward to," says Leary. "Now,
surely there is nowhere but downto look forward to."
Coffey
has a different take on it all. "We've finally coughed up our novelty
song, kind of like Ray Stevens coughed up 'The Streak,'" he says. "It's
'The Streak' for '96. It will be popular for a few months and then
everybody will just hate it. Then it will be a little question for
Trivial Pursuit in the year 2006."
Although the Buttholes
may like to downplay their success, the fact is that the band has come a
long way in 15 years. Not only are the Buttholes signed to a major label
(Capitol Records), but the once-shockingly named band's video clip for
"Pepper" was recently introduced on "Beach House MTV" by former Playmate
Jenny McCarthy--"Butthole" and all!
In fact, the most shocking thing
about the Butthole Surfers in 1996 is that they aren't shocking at all
anymore. When the Buttholes recently played Los Angeles, they were
booked at the Universal Amphitheatre, which sits in a major
family-oriented entertainment complex that includes the Universal
Studios Tour, a multiplex theater, and CityWalk, a sort of utopian
outdoor shopping mall. On that warm Sunday night, not one single happy
tourist seemed to mind or even notice that the Buttholes were in close
proximity to their merriment.
In a few months, the Sex Pistols,
another group of once-shocking lads, will play the same venue. The
Buttholes aren't incredibly impressed with the possibilities.
"I saw
them at Randy's Rodeo in San Antonio. I don't need to see them again,"
says Leary, before reconsidering the proposition. "Is it like a rehash
thing or do they have a new sound?"
I inform the Buttholes that
since Sid Vicious is no longer of this world, the Pistols are touring
with original bassist, songwriter, and noted Beatle-lover Glen Matlock.
With that news, Coffey comes alive. "Matlock! I love Matlock," he
exclaims. "Those looks that Andy Griffith gives every time he has
gotten out of bed are great," adds Leary.
"About the only cool thing
about the Pistols touring is that Andy Griffith is playing bass with
them," adds Coffey. "I might just go for the Andy Griffith factor."
Much like the Sex Pistols regrouping, the Buttholes' success hasn't come
without compromise. After receiving complaints for various mass
merchants, Capitol decided to release an alternate version of
Electriclarryland. Instead of that fine drawing of a pencil being
shoved into someone's bloody ear, the alternate version features a
close-up photograph of some furry critter. Also, the band's name has
been abbreviated to "B.H. Surfers."
"We got an opportunity to have
two album covers," brags Gibby. "Most people only have one."
Leary is also impressed. "Groundhogs mate for life--and I'm quite proud
to have the B.H. Surfers with a picture of a groundhog in Woolworth's,"
he says. There's some debate whether the furry creature in question is a
prairie dog or a groundhog. In the middle of the debate, images of David Lee Roth and Sammy Hagar flash on the TV, tuned to MTV with the sound
off.
"Is there some controversy?," Gibby asks, oblivious to the
major news on the Van Halen front. Informed of Hagar's departure, he
asks, "Why'd they kick out Sammy?," only to answer his own question.
"Look at that, he looks like he can be in the Three Stooges."
Speaking of stooges, why did it take so long to follow-up their 1993
major-label debut, Independent Worm Saloon with
Electriclarryland?
"We're retarded," Leary answers
matter-of-factly. "Because King is special," Coffey adds, talking about
himself in the third person. "He's a very special drummer. You have to
have patience with him."
"We are the Special Olympics of the music
world," adds Leary. "That's why we will really never ever get that
arena-rock blast."
"That's why celebrities come and see us," Gibby
chimes in. "It's like a 'Make A Wish Foundation' type of thing."
Adds Coffey, "That's why people are playing 'Pepper.' It's like, 'Aw,
they finally came up with a song. We have to play this. These guys are
special and we should do something to support them...It's a 'Hands
Across The Buttholes' type of thing."